Saturday 12 July 2014

When the End is Nigh: Understanding Narrative

   On lock down.

Pressure of last ch.s, followed by yearned for and feared readers, leads to much stereotypical anguish.

Coffee, how I used to drink it, and cigarettes, note to self:

Less words written is more.

Re-read: MS; structural edit and synopsis, time-lined plot/s/arcs/themes/clues. Re-examine chara's action/reaction vs motivation/conflict. Hold disparate threads clear in mind and view as a whole.

Word count is important (whatever it may be): data to delineate pattern of story structure. All those pies from childhood, less strenuous to an already chaotic mind.
-how aligns to classic structures?
-how/why differentiates?
-overlay/overview

//buisnesshead: Look at what sells in market, commerciability consideration to temper creativity.//

Re-writes: Understand what you meant to say, but probably failed at.
-Keep final ch.s trim//pacing
-Expand within rise/fall of earlier tension (just replace the unnecessary description from where your subconscious knew where something was meant to be but wasn't quite a kenning exactly what it was yet.)
-Keep taunt

Restrictions create necessary friction but beware constriction. Don't hold back. Let go of fear and remember the smell of books on a rainy summer day, curled up around another world.

(also: blogging doesn't count)


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